TICKETHOLDER AWARDS 2008 (1 of 2)

Ticketholder Award 2008 Part 1

[ Click here to check out the Part 2 ]

Well, you won’t get a giant heap of my usual Pollyanna prose from me this year. The first three months of ZERO-eight started out just swell, making my third spring journey to the incredible New Orleans to again perform at the 22nd annual Tennessee Williams Literary Festival there, where Karen Kondazian and I had the honor to reprise our roles in our 2007 award-winning Fountain Theatre prod uction of Tennessee’s 1963 flop The Milk Train Doesn’t Stop Here Anymore, a highly successful revival which won director Simon Levy a Garland Award in March.

Returning home in early April, however, a mysterious illness called sarcoidosis derailed me and has left me watching Law and Order reruns for the rest of the year. Now I’m getting better, but the weight gain from my heavy-duty steroid treatment has made me look like Jerry Lewis on the telethon. Still, I’m more than ready to move on to 2009, even if I do resemble Humpty Dumpty right before he took his great fall. If you run into all the King’s horses and all the King’s men, tell them to be sure to look me up.

So here’s Part One of my 18th annual TicketHolder Awards, honoring the best of the best offered by the hardworking and ill-rewarded Los Angeles theatre artists this monumentally troubled year of Two Thousand Eight Us All. Hats off to all of you—I can’t wait to be well enough to join in the futility, the struggle, and inimitable exhilaration of creating art in an indifferent environment again soon.

The Best 10 Plays of the Year 2008

1.  Secrets of the Trade, Black Dahlia Theatre

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2.  Shipwrecked!, South Coast Repertory / Geffen Playhouse

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3.  The Night of the Iguana, A Noise Within

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4.  Red Dog Howls, El Portal Theatre

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5.  Spider Bites, Theatre of NOTE

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6.  Asleep on a Bicycle, Elephant Theatre Company at the Lillian

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7.  My Antonia, Rubicon Theatre Company / Pacific Resident Theatre

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8.  Rabbit Hole, Camelot Artists at the Skylight Theatre

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9.  Sea Change, Los Angeles Gay & Lesbian Center

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10. Beverly Winwood Presents the 2nd Annual Actors Showcase, Groundlings Theatre

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RUNNERS-UP: American Dead, Rogue Machine at Theatre/Theater; The Busy World is Hushed, Meta Theatre; A Company of Wayward Saints, Write Act Repertory; End of the Tour, Road Theatre Company; The Four of Us, Firefly Theatre at the Elephant Lab; The Friendly Hour, Road Theatre Company; Hillary Agonistes, Playwrights Arena at Studio/Stage; The House of Blue Leaves, Center Theatre Group, Mark Taper Forum; In On It, The Production Company; Marat/Sade, Knightsbridge Theatre; Othello, Theatre @ Boston Court / LA Women’s Shakespeare Company; Safe, Circus Theatricals at the Hayworth; Savage World, Met Theatre; The School of Night, CTG, Mark Taper Forum; Some Kind of Love Story, Hayworth Theatre; Victory, Fountain Theatre; Wit, The Production Company

The Best 10 Musicals of The Year 2008 

1.  Spring Awakening, Center Theatre Group, Ahmanson Theatre

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2.  Gulls, Theatre @ Boston Court

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3.  James Joyce’s The Dead, Open Fist Theatre Company

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4.  Sweeney Todd, Center Theatre Group, Ahmanson Theatre

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5.  A Chorus Line, Center Theatre Group, Ahmanson Theatre

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6.  Joe’s Garage, Open Fist Theatre Company

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7.  Tommy, Ricardo Montalban Theatre

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8.  Aspects of Love, Musical Theatre Guild at the Alex

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9.  9 to 5, Center Theatre Group, Ahmanson Theatre

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10.  deLEARious, Open Fist Theatre Company

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RUNNERS-UP: Lovelace: A Rock Opera, Hayworth Theatre; The Next Big Thing, art/works Theatre; R.R.R.E.D., the Redhead Musical Manifesto, Grove Theatre Center Burbank

Best Actor in a Play 2008 

Steven Klein, The Four of Us, Firefly Theatre at the Elephant Lab

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RUNNERS-UP: Josh Gordon, In On It, Production Company; Morlan Higgins, Victory, Fountain; Aaron Himelstein, Dickie & Babe, Blank; Gregory Itzin, Shipwrecked!, SCR / Geffen; Ryan Johnston, The Four of Us, Elephant Lab; Jack Kehler, Some Kind of Love Story, Hayworth; Kevin Kilner, My Antonia, Rubicon/PRT; Dan O’Brien, The Blowin of Baile Gall, Lyric Theatre; Erik Passoja, Savage World, Met Theatre; Michael Redfield, My Antonia, Rubicon/PRT; Bill Robens, This Contract Limits Our Liability—Read It!, Theatre of NOTE; Mark St. Amant, American Dead, Theatre/Theater; Ryan Yu, Sea Change, LA Gay & Lesbian Center; Gregory Wooddell, School of Night, Taper

Best Actress in a Play 2008 

Kathleen Chalfant, Red Dog Howls, El Portal Theatre

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RUNNERS-UP: Priscilla Barnes, Hillary Agonistes, Playwrights Arena at Studio/Stage; Fran Bennett, Othello, Theatre @ Boston Court / LAWSC; Judy Jean Berns, The Busy World is Hushed, Meta Theatre; Kate Burton, The House of Blue Leaves, Taper; Marcia deRousse, The Sugar Bean Sisters, Sierra Madre Playhouse; Tinashe Kajese, Victory, Fountain; Karesa McElheny, Wit, Production Company; Lisa Tharps, Sea Change, LA Gay & Lesbian Center; Lisa Wolpe, Othello, Theatre @ Boston Court / LAWSC

Best Actor in a Musical 2008 

Aleks Pevec, Tommy, Ricardo Montalban Theatre

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RUNNERS-UP: David Hess, Sweeney Todd, Ahmanson; Mark Kudisch, 9 to 5, Ahmanson; Patrick Livingston, R.R.R.E.D., the Redhead Musical Manifesto, GTC; Jason Paige, Joe’s Garage, Open Fist; Kyle Riabko, Spring Awakening, Ahmanson; Brandon Ruckdashel, The Next Big Thing, art/works Theatre

Best Actress in a Musical 2008 

Judy Kaye, Sweeney Todd, Ahmanson Theatre

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RUNNERS-UP: Christy Altomare, Spring Awakening, Ahmanson; Stephanie J. Block, 9 to 5, Ahmanson; Megan Hilty, 9 to 5, Ahmanson; Kim Huber, Aspects of Love, Musical Theatre Guild; Allison Janney, 9 to 5, Ahmanson; Katrina Lenk, Lovelace: A Rock Opera, Hayworth; Alice Ripley, Tommy, Ricardo Montalban; Katie Thompson, R.R.R.E.D., the Redhead Musical Manifesto, GTC

Best Supporting Actor in a Play 2008

Michael Daniel Cassady, Shipwrecked!, SCR / Geffen Playhouse

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RUNNERS-UP: Tom Beyer, My Antonia, Rubicon/PRT; Josh Breeding, Asleep on a Bicycle, Lillian; Steve Coombs, Safe, Circus Theatricals;James Immekus, House of Blue Leaves, Taper; Adam Kulbersh, Joan Rivers: A Work in Progress…, Geffen; William Lithgow, My Antonia, Rubicon/PRT; Kevin Meoak, Marat/Sade, Knightsbridge; Rob Nagle, School of Night, Taper; David Nett, Puttin’ On the Fritz, Sacred Fools; David Paluck, American Dead, Theatre/Theater; Guy Perry, Metamorphoses, Athena Theatre Co; Matthew Rauch, Red Dog Howls, El Portal; Darin Singleton, American Dead, Theatre/Theater; Michael Urie, Dickie & Babe, Blank

Best Supporting Actress in a Play 2008 

Kirsten Vangsness, Spider Bites, Theatre of NOTE

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RUNNERS-UP: Melody Butiu, Shipwrecked!, SCR/Geffen, Mary Cobb, Othello, Theatre @ Boston Court / LAWSC; Jade Dornfeld, Asleep on a Bicycle, Lillian; Cheryl Huggins, Asleep on a Bicycle, Lillian; Karen Landry, My Antonia, Rubicon/PRT; Julia Motyka, My Antonia, Rubicon/PRT; Ann Noble, American Dead, Theatre/Theater; Darcie Siciliano, Red Dog Howls, El Portal; Samantha Sloyan, Rabbit Hole, Camelot Artists; Brynn Thayer, Rabbit Hole, Camelot Artists; Gwen Van Dam, End of the Tour, Road

Best Supporting Actor in a Musical 2008 

Rob Nagle, James Joyce’s The Dead, Open Fist Theatre

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RUNNERS-UP: Blake Bashoff, Spring Awakening, Ahmanson; Lorenzo Doryon, Tommy, Ricardo Montalban; Benjamin Eakeley, Sweeney Todd, Ahmanson; PJ Griffith, Tommy, Ricardo Montalban; Van Hughes, 9 to 5, Ahmanson; Adam Jackman, R.R.R.E.D., GTC; Ben Thomas, Joe’s Garage, Open Fist; Kevin Santos, A Chorus Line, Ahmanson

Best Supporting Actress in a Musical 2008 

Jacque Lynn Colton, James Joyce’s The Dead, Open Fist Theatre

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RUNNERS-UP: Christina Saffran Ashford, Aspects of Love, Musical Theatre Guild; Diana DiMarzio, Sweeney Todd, Ahmanson; Kathy Fitzgerald, 9 to 5, Ahmanson; Jenna Leigh Green, Tommy, Ricardo Montalban; Emily Fletcher, A Chorus Line, Ahmanson; Natalie Hall, A Chorus Line, Ahmanson; Angela Reed, Spring Awakening, Ahmanson; Gabrielle Ruiz, A Chorus Line, Ahmanson

Best Ensemble Cast in a Play 2008

Secrets of the Trade, Black Dahlia Theatre

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RUNNERS-UP: Asleep on a Bicycle, Lillian; Beverly Winwood Presents the 2nd Annual Actors Showcase, Groundlings; A Company of Wayward Saints, Write Act Rep; End of the Tour, Road; The Friendly Hour, Road; The House of Blue Leaves, Taper; My Antonia, Rubicon/PRT; The Night of the Iguana, A Noise Within; Othello, Theatre @ Boston Court / LAWSC; Rabbit Hole, Camelot Artists; Safe, Circus Theatricals; Savage World, Met; The School of Night, Taper; Sea Change, LA Gay & Lesbian Center; Spider Bites, Theatre of NOTE; Stupid Kids, Celebration; The World’s Largest Rodent, Victory

Best Ensembling Cast in a Musical 2008 

Gulls, Theatre @ Boston Court

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RUNNERS-UP: 9 to 5, Ahmanson; A Chorus Line, Ahmanson; deLEARious, Open Fist; Joe’s Garage, Open Fist; Lovelace: A Rock Opera, Hayworth; Spring Awakening, Ahmanson; Sweeney Todd, CTG, Ahmanson

New Discovery 2008

Andy Gobienko, The World’s Largest Rodent, Victory Theatre Center

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Jason Parsons, A Company of Wayward Saints, Write Act Repertory

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RUNNERS-UP: Orestes Arcuni, My Antonia, Rubicon/PRT; LJ Benet, Tommy, Ricardo Montalban; Chadbourne Hamblin, Rabbit Hole, Camelot Artists; Jay Armstrong Johnson, A Chorus Line, Ahmanson; Jamie Joseph, Tommy, Ricardo Montalban; Lester Keefe, Trailerville, Moving Arts; Jake Wesley Stewart, James Joyce’s The Dead, Open Fist

 


TRAVIS MICHAEL HOLDER teaches acting and theatre/film history at the New York Film Academy’s west coast campus at Universal Studios. He has been writing about LA theatre since 1987, including 12 years for BackStage, a 23-year tenure as Theatre Editor for Entertainment Today, and currently for ArtsInLA.com. As an actor, he received the Los Angeles Drama Critics Circle Best Actor Award as Kenneth Halliwell in the west coast premiere of Nasty Little Secrets at Theatre/Theater and he has also been honored with a Drama-Logue Award as Lennie in Of Mice and Men at the Egyptian Arena, four Maddy Awards, a ReviewPlays.com Award, both NAACP and GLAAD Award nominations, and six acting nominations from LA Weekly. Regionally, he won the Inland Theatre League Award as Ken Talley in Fifth of July; three awards for his direction and performance as Dr. Dysart in Equus; was up for Washington, DC’s Helen Hayes honors as Oscar Wilde in the world premiere of Oscar & Speranza; toured as Amos “Mr. Cellophane” Hart in Chicago; and he has traveled three times to New Orleans for the annual Tennessee Williams Literary Festival, opening the fest in 2003 as Williams himself in Lament for the Moths and since returning to appear in An Ode to Tennessee and opposite Karen Kondazian as A Witch and a Bitch. Never one to suffer from typecasting, Travis’ most recent LA performance, as Rodney in The Katrina Comedy Fest, netted the cast a Best Ensemble Sage Award from ArtsInLA. He has also been seen as Wynchell in the world premiere of Moby Pomerance’s The Good Book of Pedantry and Wonder and Frank in Charles Mee’s Summertime at The Boston Court Performing Arts Center, Giuseppe “The Florist” Givola in Brecht’s The Resistible Rise of Arturo Ui for Classical Theatre Lab, Ftatateeta in Shaw’s Caesar and Cleopatra at the Lillian, Cheswick in One Flew Over the Cuckoo’s Nest at the Rubicon in Ventura, Pete Dye in the world premiere of Stranger at the Bootleg (LA Weekly Award nomination), Shelly Levene in Glengarry Glen Ross at the Egyptian Arena, the Witch of Capri in Williams’ The Milk Train Doesn’t Stop Here Anymore at the Fountain, and Dr. Van Helsing in The House of Besarab at the Hollywood American Legion Theatre. As a writer, he has also been a frequent contributor to several national magazines and five of his plays have been produced in LA. His first, Surprise Surprise, for which he wrote the screenplay with director Jerry Turner, became a feature film with Travis playing opposite John Brotherton, Luke Eberl, Deborah Shelton and Mary Jo Catlett. His first novel, Waiting for Walk, was completed in 2005, put in a desk drawer, and the ever-slothful, ever-deluded, ever-entitled Travis can’t figure out why no one has magically found it yet and published the goddam thing. www.travismichaelholder.com

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