TICKETHOLDER AWARDS 2009 (2 of 2)

Image

 

[ Click here to read the part 1 ]

 

You can check my Production of the Year and Performance Awards posted earlier, but here are the rest of my top picks (and don’t miss my annual Orton-esque quote at the end) for the generally disappointing and continuously challenging past dozen months known as 2009, for whatever it all may be worth in a year that otherwise sucked the big one. Some redemptive value? As Stella Adler once said: “Life beats down and crushes the soul and art reminds you that you have one.”

 

Image

Joey Arias, Arias with a Twist, Redcat Theatre, Disney Hall

Image

RUNNERS-UP: Steven Fales, Missionary Position, Celebration Theatre

 

Image

Patti Lupone, An Evening with Patti LuPone and Mandy Patinkin, Ahmanson Theatre

Image

 

Image

Bill Cain, Equivocation, Geffen Playhouse

Image

Tracy Letts, August: Osage County, CTG/Ahmanson

Image

RUNNERS-UP: Adam Bock, The Receptionist, evidEnce Room @ the Odyssey; Joe DiPietro, Fucking Men, Celebration; Julie Hebert, Tree, EST-LA [Inside] the Ford, Laura Richardson, Come Back, Little Horny, Lost Studio; Bill Robens, Kill Me, Deadly, Theatre of NOTE; Tim Toyama and Aaron Woodfolk, Bronzeville, Robey Theatre; Alfred Uhry, Parade, CTG/Taper; Beau Willimon, Farragut North, Geffen Playhouse; Jacqueline Wright, Love Water, EST/Open Fist

 

Image

The Not Man Apart Physical Theatre Company, Pericles Redux, Kirk Douglas Theatre

Image

RUNNERS-UP: Julian Fellowes, Mary Poppins, CTG/Ahmanson; Heather Hatch, Legally Blonde, Pantages; Eric Idle, Spamalot, CTG/Ahmanson; Bob Martin, Minsky’s, CTG/Ahmanson; Tiger Reel, R.U.R., Action! Theatre at Art/Works; Deborah Stein, God Save Gertrude, Boston Court

 

Image

Anna D. Shapiro, August: Osage County, CTG/Ahmanson

Image

RUNNERS-UP: Luis Alfaro, Dias y Flores, Company of Angels; Dan Bonnell, Love Water, EST/Open Fist; Bart DeLorenzo, The Receptionist, evidEnce Room @ the Odyssey; Martha Demson, Come Back, Little Horny, Lost Studio; Ben Guillory, Bronzeville, Robey Theatre; Doug Hughes, Farragut North, Geffen Playhouse; Jessica Kubzansky, Tree, EST-LA [Inside] the Ford, Michael Peretzian, No Man’s Land, Odyssey; Calvin Remsberg, Fucking Men, Celebration; Kiff Scholl, Kill Me, Deadly, Theatre of NOTE; Jose Luis Valenzuela, Solitude, Latino Theater Co; Elissa Weinzimmer, School for Suckers, Lillian

 

Image

Rob Ashford, Parade, Center Theatre Group/Mark Taper Forum

Image

RUNNERS-UP: Roger Bean, Life Could Be a Dream, Hudson; Jeff Calhoun, Pippin, CTG/Taper; David Galligan, Children of the Night, Katselas Theatre Co; Richard Eyre, Mary Poppins, CTG/Ahmanson; Michael Michetti, God Save Gertrude, Boston Court; Jerry Mitchell, Legally Blonde, Pantages; Casey Nicholaw, Minsky’s, CTG/Ahmanson; Mike Nichols, Spamalot, CTG/Ahmanson; Patrick Peterson, Altar Boyz, Celebration; Rick Sparks, Divorce! The Musical, Hudson; Basil Twist, Arias with a Twist, Redcat

 

 

Image

Jason Robert Brown, Parade, Center Theatre Group/Mark Taper Forum

Image

RUNNERS-UP: David Hanbury, God Save Gertrude, Boston Court; John Du Prez and Eric Idle, Spamalot, CTG/Ahmanson; Erin Kamler, Divorce! The Musical, Hudson; Semyon Kobialka, Solitude, Latino Theater Co; Scott Martin, Children of the Night, Katselas Theatre Co; Lawrence O’Keefe and Nell Benjamin, Legally Blonde, Pantages; David Sinder, August: Osage County, CTG/Ahmanson; Charles Strouse and Susan Birkenhead, Minsky’s, CTG/Ahmanson; Nathan Wang, Po Boy Tango, East West Players

 

Image

Michael Paternostro, Life Could Be a Dream, Hudson Mainstage

Image

RUNNERS-UP: Christopher Lloyd Bratten, Altar Boyz, Celebration; James Dodgson, Mary Poppins, CTG/Ahmanson; Paul Ford, An Evening with Patti LuPone and Mandy Patinkin, Ahmanson; Steven Landau, Pippin, CTG/Taper; Tom Murray, Parade, CTG/Taper; David O, Divorce! The Musical, Hudson; Phil Reno, Minsky’s, CTG/Ahmanson; David Singer, August: Osage County, CTG/Ahmanson; Ben Whiteley, Spamalot, CTG/Ahmanson

 

Image

Matthew Bourne, Mary Poppins, Center Theatre Group/Ahmanson Theatre

Image

RUNNERS-UP: Rob Ashford, Parade, CTG/Taper; John Farmanesh-Bocca, Pericles Redux, Not Man Apart at the Kirk Douglas; Ameenah Kaplan, Altar Boyz, Celebration; Urbanie Lucero, Solitude, Latino Theater Co; Lee Martino, Life Could Be a Dream, Hudson; Casey Nicholaw, Minsky’s, CTG/Ahmanson; Casey Nicholaw, Spamalot, CTG/Ahmanson

 

Image

Bob Crowley, Mary Poppins, Center Theatre Group/Ahmanson Theatre

Image

RUNNERS UP: Brian Sidney Bembridge, Tree, EST-LA [Inside] the Ford, Tom Buderwitz, Fucking Men, Celebration; Francois-Pierre Couture, Solitude, Latino Theater Co; Jimmy Cuomo, Children of the Night, Katselas Theatre Co; David Esbjornson, Equivocation, Geffen; Susan Gratch, God Save Gertrude, Boston Court; Anna Louizos, Minsky’s, CTG/Ahmanson; J.P. Luckenbach, Bronzeville, Robey; Tim Hatley, Spamalot, CTG/Ahmanson; Christopher Oram, Parade, CTG/Taper; Todd Rosenthal, August: Osage County, CTG/Ahmanson;Basil Twist, Arias with a Twist, Redcat; Sibyl Wickersheimer, Love Water, EST/Open Fist

 

Image

Bob Crowley, Mary Poppins, Center Theatre Group/Ahmanson Theatre

Image

RUNNERS-UP: Gregg Barnes, Minsky’s, CTG/Ahmanson; Tim Hatley, Spamalot, CTG/Ahmanson; Frances Kenny, Equivocation, Geffen; Soojin Lee, God Save Gertrude, Boston Court; Michael Mullen, Altar Boyz, Celebration; Christopher Oram, Parade, CTG/Taper; Leah Piehl, Love Water, EST/Open Fist; Naila Aladdin Sanders, Bronzeville, Robey; A. Jeffrey Schoenberg, Children of the Night, Katselas Theatre Co; Valentino’s Costumes, Life Could Be a Dream, Hudson

 

Image

Francois-Pierre Couture, Solitude, Latino Theater Company, LATC

Image

RUNNERS-UP: Neil Austin, Parade, CTG/Taper; Howard Harrison, Mary Poppins, CTG/Ahmanson; Donald Holder, Pippin, CTG/Taper; Luke Moyer, Bronzeville, Robey; Jeremy Pivnik, Fucking Men, Celebration; Matt Richter, Kill Me, Deadly, Theatre of NOTE; Hugh Vanstone, Spamalot, CTG/Ahmanson; KC Wilkerson, Po Boy Tango, East West Players; Chris Wojcieszyn, Love Water, EST/Open Fist; Ann G. Wrightson, August: Osage County, CTG/Ahmanson; Steven Young, God Save Gertrude, Boston Court; Scott Zielinski, Equivocation, Geffen

 

Image

Lindsay Jones, Fucking Men, Celebration Theatre

Image

RUNNERS-UP: Acme Sound Partners, Spamalot, CTG/Ahmanson; Jon Gottlieb, Equivocation, Geffen; Steve Canyon Kennedy, Mary Poppins, CTG/Ahmanson; David B. Marling, The Bird and Mr. Banks, Road; Cricket S. Myers, Life Could Be a Dream, Hudson; Cricket S. Myers, Love Water, EST/Open Fist; Rob Oriol, God Save Gertrude, Boston Court; John Weston, Parade, CTG/Taper; Robert Woodbury, August: Osage County, CTG/Ahmanson; John Zalewski, Solitude, Latino Theater Co

 

Image

Dane Bowman and Jason Parsons, The House of Besarab, Hollywood American Legion Theatre

Image

RUNNER-UP: Bo Foxworth, Equivocation, Geffen; Victor Warren, Stranger, Bootleg

 

Image

Daniel Brodie, Arias with a Twist, Redcat Theatre, Disney Hall

Image

RUNNERS-UP: Christopher Ash, Solitude, Latino Theater Co; Jason H. Thompson, God Save Gertrude, Boston Court

 

Image

 

Kooza, Cirque du Soleil at the Santa Monica Pier

Image

Summer Shapiro and Peter Musante, Legs and All, San Francisco Fringe Festival, Climate Theatre, San Francisco

Image

The Lion King, Mandalay Bay Hotel and Casino, Las Vegas

Image

Image

Naomi Donne, Make-up Design, Mary Poppins, CTG/Ahmanson;

Carol F. Doran, Wigs and Hair, Parade, CTG/Taper;

Semyon Kobialka, Cello Accompaniment, Solitude, Latino Theater Co;

Josh Marquette, Hair Design, Minsky’s, CTG/Ahmanson;

Robin McWilliams, Hair Design, Children of the Night, Katselas Theatre Co;

Chuck Olson, Properties Design, Life Could Be a Dream, Hudson;

Leah Piehl, Make-up Design, God Save Gertrude, Boston Court;

Basil Twist, Puppet Design, Arias with a Twist, Redcat

 

Image

When the artistic director of one of our city’s more location-challenged theatre complexes was mugged last winter, it reminded me of an incident that happened when I was working there a few years ago. As I was putting something in the trunk of my car parked in front of the theatre, one of the local working girls who strolled the area on a regular basis asked if I was looking for a “date.” I told her no, thank you, that I was in the ‘hood rehearsing for a play. As she moved on, she thoughtfully called back, “Break a leg!”

[ Click here to read the part 1 ]


TRAVIS MICHAEL HOLDER teaches acting and theatre/film history at the New York Film Academy’s west coast campus at Universal Studios. He has been writing about LA theatre since 1987, including 12 years for BackStage, a 23-year tenure as Theatre Editor for Entertainment Today, and currently for ArtsInLA.com. As an actor, he received the Los Angeles Drama Critics Circle Best Actor Award as Kenneth Halliwell in the west coast premiere of Nasty Little Secrets at Theatre/Theater and he has also been honored with a Drama-Logue Award as Lennie in Of Mice and Men at the Egyptian Arena, four Maddy Awards, a ReviewPlays.com Award, both NAACP and GLAAD Award nominations, and six acting nominations from LA Weekly. Regionally, he won the Inland Theatre League Award as Ken Talley in Fifth of July; three awards for his direction and performance as Dr. Dysart in Equus; was up for Washington, DC’s Helen Hayes honors as Oscar Wilde in the world premiere of Oscar & Speranza; toured as Amos “Mr. Cellophane” Hart in Chicago; and he has traveled three times to New Orleans for the annual Tennessee Williams Literary Festival, opening the fest in 2003 as Williams himself in Lament for the Moths and since returning to appear in An Ode to Tennessee and opposite Karen Kondazian as A Witch and a Bitch. Never one to suffer from typecasting, Travis’ most recent LA performance, as Rodney in The Katrina Comedy Fest, netted the cast a Best Ensemble Sage Award from ArtsInLA. He has also been seen as Wynchell in the world premiere of Moby Pomerance’s The Good Book of Pedantry and Wonder and Frank in Charles Mee’s Summertime at The Boston Court Performing Arts Center, Giuseppe “The Florist” Givola in Brecht’s The Resistible Rise of Arturo Ui for Classical Theatre Lab, Ftatateeta in Shaw’s Caesar and Cleopatra at the Lillian, Cheswick in One Flew Over the Cuckoo’s Nest at the Rubicon in Ventura, Pete Dye in the world premiere of Stranger at the Bootleg (LA Weekly Award nomination), Shelly Levene in Glengarry Glen Ross at the Egyptian Arena, the Witch of Capri in Williams’ The Milk Train Doesn’t Stop Here Anymore at the Fountain, and Dr. Van Helsing in The House of Besarab at the Hollywood American Legion Theatre. As a writer, he has also been a frequent contributor to several national magazines and five of his plays have been produced in LA. His first, Surprise Surprise, for which he wrote the screenplay with director Jerry Turner, became a feature film with Travis playing opposite John Brotherton, Luke Eberl, Deborah Shelton and Mary Jo Catlett. His first novel, Waiting for Walk, was completed in 2005, put in a desk drawer, and the ever-slothful, ever-deluded, ever-entitled Travis can’t figure out why no one has magically found it yet and published the goddam thing. www.travismichaelholder.com

Advertisement